Where I spill my thoughts almost right after seeing a film. Unedited, unresearched, and undeniably a bit lazy.
It’s been a long while since I’ve seen a movie where I was so impressed and fascinated by the characters, the lore, the actors, and… still be so disappointed by it.
The movie is incredibly frustrating because it feels like they had everything to make a great movie except for having a decent screenplay.
In fact, the plot (perhaps also the fault of the director or the editor) was such a mess during the second act and the third act that it completely ruined the film for me because the story just became incoherent.
It’s like a really bad episode of Scooby-Doo with wizards, melodrama, with a hint of daytime soap opera.
Am I the biggest fan of Harry Potter?
No. I just grew up with it. Forced to read the first one to learn English. Then enjoyed the rest as I got older with my friends.
But I shouldn’t have to be a Potterhead or even a lore-buff to enjoy a film. And to be frank, I’m not sure how even the most fervent fans could call this a decent movie when they are actually honest with themselves.
There are parts of this movie that are just factually bad. Poor editing, forced exposition, nonsensical plot points, literal plot devices, throwaway fan service characters, and etc.
Maybe the problem was that the movie just wasn’t long enough at little over 2 hours. The movie feels like a supercut of a miniseries. It feels like it never had enough time to fully tell us the story. Characters are underdeveloped… or suddenly overdeveloped. During the third act of the film, there are terrible jump cuts and sequence of events that just makes the movie feels like its riddled with plot holes at best and movie just realizing the mess it’s in and not giving a flying witch’s f@#$ at worst.
That Asian character (I purposefully do not mention her name in kind with how much the film valued her) does nothing but look sad. She just walks around with the aura of teenage-Evanescence-depression and fannnnnserrrrvice.
Y’all thought her turning into a snake was a bad thing?
Y’all too sensitive.
Y’know what I’m offended by? Just badly written characters that end up being an accessory. Accessory to the plot. Accessory to the future plans of the filmmakers and the studio. It’s just a little ironic that she’s an Asian character that feels as if she was added to make the cast even more diverse but as the only real Asian representation, she’s essentially the handbag to the white male.
Again, I don’t think it’s a racial issue but a poor writing issue. And just a bit exasperated by the fact that movie was very much attempting to be diverse and feeling that it’s failing an aspect of that in the most ironic way of deducing a particular race and gender combination to what it tends to be in film and TV.
It’s a bit sad that I have to clarify that.
And the worst part of it all?
I feel like this could have been a spectacular adventure of a film.
The film starts like a modern action flick with Grindelwald bustin’ out.
Grindelwald is a compelling villain at his core. His ideas present some natural questions and problems we all had with the series.
Newt is a great protagonist that also balances well with Grindelwald and the world around him.
I found Jacob and Queenie’s dilemma compelling (and disappointed that after the setup of their plot, the script essentially puts them on autopilot).
But there’s no real pay off to any of this.
And for the great “mystery” the film was building up?
It ends with a “Scooby-Doo” moment where everything just told. With a bunch of super convenient plot devices (some of them literal devices and some of them out of nowhere) that tries to explain overly complicated tangled web of scenarios.
Look, I was really enjoying the movie for the first 10~15 min of it so it was just that much more disappointing when the rest of it sucked so much.
I give it:
It felt like a screenwriter for films, not TV miniseries or a novelist, should have written this.
A case of perhaps a lawyer who shouldn’t have defended himself. I have no doubts that if Ms. J. K. Rowling could be a fantastic screenwriter eventually as she is an incredible storyteller.
But, for me, undoubtedly, even with all of its other problems, nothing really broke the film as much as the screenplay did.
With Avengers: The Infinity Wars just right around the corner, I finally managed to see Black Panther.
And it was… alright.
Apparently, the fad is to consider anyone who didn’t thoroughly enjoy this film to be a racist.
I also didn’t enjoy Django Unchained that much either.
But I really, really like Fresh Prince of Bel-Air and that’s my childhood. Does that help or not help my case?
At best, I’d give the film a 6.5 – 7/10.
I’d like to view it again sometime and reassess my review but I’ve found it hard to enjoy most of these Marvel films on the second viewing.
So far I’ve only enjoyed rewatching: Iron Man 1, Captain America: TheWinter Soldier, and surprisingly Iron Man 3: The Christmas Special.
I should probably talk about Thor: Ragnarok as well as it’s a glaring example of Marvel deciding to just streamline all of their films’ narratives to the tone of a bastard child birthed from a drunken coitus between Iron Man and Guardians of the Galaxy.
(I wrote a quick review of it that I don’t think I ever published. But for those who are wondering, I’d give that film a 7.5/10)
Back to the subject at hand.
Though the aforementioned wasn’t the case with the Black Panther, the film suffered from other issues that are surprisingly found more in the Marvel’s Netflix franchises than their cinematic cash printing machines.
Let’s dive in.
As usual, these are just based on quick notes I made while watching the film. There may be some errors or some things I missed as I was watching the movie.
And to clarify, “Quick Review” alludes to not the length of the review but more of the essence of review. It’s just me going on a rant about the film after having seen it once without any further research. If I wanted to write a more proper review, I’d watch the film, at the very least, twice. This is a more organized version of the rant my friends would have to put up with for the blog readers.
There will obviously be SPOILERS AHEAD
They did a decent enough job of catching people up to the mindset of T’challa (Black Panther) for those who might not have seen Captain America:Civil War or just had forgotten what brought T’challa into the pantheon of heroes in the first place.
Not only that, but they also gave us the emotional and historical stake to the character that gave us a fresh perspective to not only T’challa but the events that surrounded his involvement in the Civil War and rounding out quickly who the Wakandans are. It was a quick and somewhat organic expansion to the lore required for us to appreciate Black Panther uniquely for who he is as a character and what the film’s unique place in Marvel Cinematic Universe is.
There’s an almost immediate “Lion King meets laser-pew-pew” vibe not because it’s happening in Africa and felines are involved, but the majestic scores that remind you of Disney’s animated films along with a deep voice of a father narrating to a son… happening in Africa.
Oddly enough, as mentioned, the film ended up feeling like a stitched up episodes of a Netflix series than a standalone film. There’s just too many plot lines hurrying to ripen or simply presents itself self-evidently ripened before the film’s 135 minutes run out.
I found it hard to care about a lot of the characters and a lot of what’s happening when it’s just whizzing all over the screen and I’m being force fed how to feel and care about them.
It’s not as if I haven’t enjoyed more complicated films before with varying characters and plotlines all happening at once (Snatch, Lock, Stock and Two SmokingBarrels,Magnolia) but because the film is ultimately about T’Challa (and also should have had more about Killmonger) it can’t seem to find the proper grasp on who and what to focus on and how to develop them.
The script doesn’t feel like it was done justice by being on the silver screen.
The film even committed the same trope and downfall of many of the Marvel series on Netflix these days of abruptly changing the antagonist and spending the little time the story has left trying to build up the new villain.
That’s not a twist, Marvel. It’s just a lazy or a greedy writing.
We all knew Killmonger (Michael B. Jordan) was going to be the main villain of the film. However, the film didn’t build up the character well enough to justify us caring about his rise and fall. All of which literally happened within the 3rd act.
To make us care, the film attached emotional social issues and connected backbones of other characters’ emotional stakes to Killmonger. But Killmonger himself never had the chance to truly realize himself as a character. Which is a shame because he had such an amazing actor and backstory to work with. The character was just carried by the actor’s charisma.
What bothered me a bit is that the film seemed to be unknowingly forcing it upon us to suddenly care about Killmonger by saying… look, all these issues we face as Americans? He’s the sudden embodiment of all that.
You don’t care? Then you don’t care about these issues.
Maybe that’s too much but, hot damn, the last line Killmonger gives before he kills himself. It’s a complex social issue forcibly latching itself onto the film as a ‘justified’ metaphor. But the film ends up posing more questions and debatable notions than it does answering them–both within and beyond the 4th wall.
Killmonger just becomes a mouthpiece for the social commentary that the film wants to get across… but it doesn’t entirely feel like he’s earned it other than us being told us that he has the characteristics of the downtrodden colored individual in an oppressed society.
But we’ll get back to him later.
(And I understand why Captain America isn’t present in the film to avoid the ‘white savior’ narrative, but it’d have been nice to know where he was during all this. I guess we’ll find out in Avengers: Infinity War)
There’s no real getting around that the minorities in the US have gotten the short-end of the stick throughout the nation’s history.
For the black community, that history is filled with not only the short-end but also the bloodied blunt end.
Killmonger himself is a child who grew up in poverty… but through hard work and dedication got himself through a university, grad school at MIT, and became a Navy SEAL ….again, from a background of, at worst, an orphan and at best most likely in a single-mother family.
(It’s never made clear what happened to Killmonger’s mom. I guess for all we know she could have remarried a rich guy and Killmonger was actually pretty well off living a hipster life while assuming he knows what it’s like to be a poor black person in America. But that ruins the character so we’ll assume that he grew up in poverty because that’s what the film strongly suggests)
His achievements are goddamn amazing.
…And sort of works against his own political ideologies and opinions that black people are somehow hopelessly oppressed and need violence to have their fair shake in the world.
…And kind of makes you wonder why he believed the best way to support black communities is through use of force when obviously with the right motivation and resources they can get through whatever obstacles the skin of their color may pose. I guess the idea is that black people shouldn’t have to be in a position to struggle at all.
It’s almost as if Killmonger has a racist belief that black communities cannot advance without resorting to violence. That, as he implies, black people cannot be at the top of the racial/social hierarchy without a violent revolution.
And what about other oppressed minority groups? If they want to be better, then follow Killmonger’s ways? I guess my problem is that the character feels ultimately confused within the writing and not as part of the writing.
(I should also mention at this point all minority groups suffered pretty heavily in the US. This isn’t to marginalize the suffering endured by the black community, but to not marginalize anyone’s suffering. And if we broaden our scale globally, the conversation becomes a lot more depressing and maddening)
People may jump in here and say, “THAT’S WHY HE’S THE VILLIAN AND T’CHALLA IS THE PROTAGONIST”
Fair enough, but, again, it’s muddled by the fact that how the characters are approaching this topic, their backgrounds, and their given motivations.
T’Challa is an outsider looking in on these social issues even though he’s never faced them because he’s from a better place. Killmonger presented as the embodiment of all the social ailments. One believes in allowing others to solve their own problems. The other believes that if you have the power, you should solve their problems.
And I guess as the movie points out, their goals were not just about the US but around the world.
But that doesn’t make the problems any easier.
Now we have to discuss national sovereignty, moral relativity, paternalism, and etc.
In the end, the movie’s answer seems to be that of heavy paternalism: “if one place is superior to others, then it’s their moral duty to help those lesser nations.”
Given what criteria are they better? How can they help?
Let’s just chew on that a bit Americans.
It’s a like chewing a mint, a ginseng, and juicy fruit together.
But I guess we can just fall back on the lazy excuse of “It’s a Marvel movie.” or accept that everything I’m ranting about was obviously planned.
Fine. So be it.
(Part of me screaming: then don’t bring up sensitive and complex topics WHILE seemingly trying to present them in an authentic and digested way)
We’re going to take a slight, lighter-hearted detour.
Let’s unwind a bit from these heated topics and introduce from the far left-field a possibly unexpected topic that may generate more flames against me.
Here’s a little secret about me.
I know a little Korean.
Not a Korean Peter Dinklage but know the language well enough to know that the Korean being spoken in the film was horrible.
And no, I’m not talking about Ms. Lupita Nyong’o’s performance speaking Korean. She did an admirable job.
I’m talking about the supposed Koreans in the film.
None of them seem to be fluent speakers. Their Korean sounded really silly. Even many of the background speakers sounded wrong most of the time.
And if you ever go to Korea and go to one of them public markets and find non-native Korean speaking ajooma (middle-aged women) working there, I’ll personally PayPal you $50 (limited to 1 person).
What’s the big deal?
If it’s a little off, I wouldn’t mind. But it’s literally butchered language coming across as a native speaking the language natively in the native setting.
Even The Last Samurai starring Tom Cruise that got so, so much wrong regarding the authenticity of historical aspects of the film got the look and the sound of the film correctly enough that people weren’t taken out of the film if they were familiar with the Japanese culture and language (minus weird trees).
What’s the excuse of not getting Korean right for the sake of authenticity with this film?
Money? It’s a Marvel film.
Availability? Is it really that hard to find some Koreans that can speak few lines fluently in LA? Or Korea?
So what are the reasons to just not care?
They don’t think Koreans or people who understand Korean would care or notice.
They just don’t care.
I honestly can’t think any other substantial reasons. As harsh as those reasons sound, they just seem ‘fair’ as it is.
If it’s a movie that’s trying to celebrate minorities on the big screen (which is why I assume they also chose an Asian location for no real reason other than also to possibly reach out to that demographic), why not make sure they do all of them at least the minimal justice?
Is that too much?
Is it because it’s called Black Panther and not Global Panther?
Yeah, I went there.
Whew, finally more about the art behind the film.
One of my biggest draw to this film was the fact that Michael B. Jordan was going to be involved. When I found out he was the main villain, I was all in.
And while I thought some of his performances on this film were excellent as usual, most of it felt too exaggerated and muddled…
…and tragically, I felt like it wasn’t Michael’s fault. It felt like because of how they had to edit the film, his performance didn’t really get to come to life or was portrayed with a bad ‘light’.
It’s also not his fault that his character seemed rushed for development in the 3rd act of the film.
It’s also not his fault that his dialogues seemed a bit dead and trite through the 2nd act. He did amazing with what he had to work with.
It’s also not his fault that his character sort of didn’t make sense and collapsed on itself a bit. Wouldn’t Killmonger have been more interesting if the script decided to have a little more courage and presented him as a legitimate counter-balance to T’Challa? It’s not as if no foreign interaction policy has never been done before in history. There’s plenty of examples to use and personify.
It might be a little bit of his fault that his swagger walk got a bit too much near the end.
Minor points that might be answered in the later films.
Wakanda seems… way too advanced. It seems close to Guardians of the Galaxy level advanced. I wouldn’t have been surprised if T’Challa started playing his claws like a flute and giant lion robot came out from the mountains.
Like what the hell’s going on in this isolated country’s R&D department?
How do you go from tribes uncovering a meteorite into a nation refining a near-indestructible material, turning that material into a power source, and then also developing that material into medical apparatuses… while cutting yourself off from the rest of the world?
Does Tony know anything about this?
How the hell does he not?
How the hell does Tony not suspect anything about Wakanda and the Vibranium?
Where the hell were Tony’s Iron Man bots that we saw in Spiderman when someone like Klaw is involved? We know he’s on Tony’s radar from Avengers: Age of Ultron.
What about the new SHIELD?
How can this theater sell fresh wood-fired pizza when there’s no wood-fired oven in sight?
These are the questions that we may never get answers to.
Overall, while Black Panther is probably better than some of the other Marvel films, it wasn’t the best nor was it very memorable.
It felt like a better done, Thor 1.
While I enjoyed the soundtrack, at times it seemed too… animatedly-dramatic? And overused.
But I do have to admit that it’s great seeing this sort of mainstream film featuring mostly minority cast–and also blowing up the box office while at it.
Next review will be regarding American treasure Dwayne Johnson’s new masterpiece, Rampage.
Teaser: …In an odd way, I actually kind of liked it.
I’m sitting in front of my computer at 3:30 AM, fresh out of the theaters after watching the latest film of the franchise that had me captured since I was a young boy.
But I can’t tell you the reason for why I decided to share my thoughts before warning you, and I feel the need to warn you as a fan, in big bold caps-locked letters:
DO NOT READ THIS ANY FURTHER IF YOU HAVEN’T SEEN THE FILM YET
This isn’t simply because of SPOILERS… though there will be a plenty of that I imagine. I’m just writing this as I go.
This is because regardless of my review being positive or negative if you’re a Star Wars fan, you have to see this film without being tainted in any way. Otherwise, it’d be doing injustice to everything this film is trying to accomplish.
Despite its flaws and regardless of fan’s approval, this is a revolutionary film for the Star Wars franchise.
The Last Jedi, not only introduces profound lore elements to Star Wars universe, but also as a film it introduces a new style, tone, mechanics, writing, humor, and even further modernization to the franchise than they did with Star Wars Episode 7: The Force Awakens.
However, as revolutionary as this film is, I couldn’t help but get up from my seat at end wondering how much of the film I actually enjoyed and how much of it… annoyed me. Some reasons I knew why right away but some other I had the chew over on my drive home through the empty freeway in the wee hours of cold December morning.
Anyways. This is a quickie so it’s just me vomiting my thoughts right after the movie. So I ask for your generous understanding for any errors ahead.
The Quick and Dirty
While The Last Jedi may be revolutionary to the franchise in more ways than one, it tries to do too much for a single film and struggles to find a satisfying and perfect execution for most of its endeavors.
It doesn’t leave you with a feeling of witnessing a triumphant victor, but rather, the feeling of awkward silence of witnessing someone try too hard for too long on stage… and you don’t know when to clap or what to clap for exactly even though you’re pretty sure you’ve enjoyed the overall experience.
As mentioned, execution of certain elements of the film feels a bit dissatisfying or unfinished.
One that really comes to mind is Kylo’s development as a character. The film does such a wonderful job giving depth to the character for the first two acts, that it’s incredibly disappointing and frustrating for him to become basically an unreasonable villain suddenly in the third act. It felt cheap.
The pacing felt off and because of so many branching sub-plots, the film felt like watching a miniseries rather than a film.
One of the biggest culprit to the pacing is the unnecessary insertions of comedic scenes and kind of “post-Marvel” vibe the film has. Y’know? Like how most Marvel seems can’t take itself seriously so sometimes it’s hard to feel what’s at stake? But it feels more annoying with this film because the tension and magnitude of the greater plot moments are so high that when certain lighter moments, or lesser interesting subplot moments, intrude… it feels like a sudden car crash.
That’s not to say that those scenes are not funny nor that they were always out of place. But many times they felt frustrating and made the film unnecessarily longer than it needed to be.
The very kid friendly comedic relief scenes are a bit odd because it’s unnecessarily treats the entire audience as if they can’t handle any reasonable duration of drama and tension (and yes I understand the target audience is ultimately kids but…)… while some of its plot conveniences are bandaged by insisting to treat the audience with such amount of respect that it expects them to fill in all the holes.
Mentioning plot conveniences…
There’s a recurrence in modern writing of asserting ‘you don’t have to give the audience what they want, you don’t have to tell them everything.’
Which is fine. I think stories can be incredibly enhanced that way.
The Last Jedi did this wonderfully in some regards.
Many audience members may have wanted Rey to have an epic moment regarding her parents and have her parents be some grand part of the Star Wars lore.
She got none of that and it was fantastic. She’s a better child of prophecy type than Anakin ever was.
Better insight into Snoke?
Nope. And that’s awesome.
But there were plot conveniences where it felt like the film was trying to treat it the same way and just comes off as lazy writing. Here’s the top 3 I can recall at the moment:
After developing Snoke as this incredibly powerful being–whose powers include apparently being able to read into Kylo’s deepest thoughts and feelings and even reach out to Rey in similar ways–and just after him even proclaiming that he can see into Kylo’s thoughts and intentions… Kylo can just kill him by surprise like that? He couldn’t sense the lightsabre moving by the force? This is a moment where the audience is supposed to fill in the blanks by, “ahh, it’s because Snoke’s too arrogant” …but instead it just ends up feeling a bit silly and anticlimactic.
Why didn’t the Resistance do the whole cruiser lightspeed kamikaze attack sooner? Or even bring that up for discussion? It seemed incredibly powerful attack. In fact, almost every ship that’s about to be blown up should just do this if they can. I guess this is the part where the audience is supposed to go, “ahh, it’s because had they attempted that sooner the First Order would have suspected something was up…?” But, why wasn’t the actual plan just explained to everyone in the first place? Even Poe would have been fine since he seems to know if there’s cloaking device the First Order wouldn’t know that they’ve escaped. Other than to teach Poe a lesson in being a leader rather than a hero later? Also, how did the girl on the bridge that helped Poe’s mutiny not know about the plan? And was the First Order really out of all TIE fighters or something to chase down the Resistance?
While Luke’s final moments were epic, the execution of it left a bit of sour taste. His death was beautiful, respectful, and an incredible moment in the film. Possibly, one of the most beautiful moments in Star Wars history. But… it also feels like his death was only done because living-Luke had no place anymore in the plot and to keep up with the film’s theme of, “in with the new, gone with the old”.
For formatting reasons (to save your eyes), I’m going to continue my thoughts on Luke here.
Another problem with Luke’s death involves his epic showdown against the First Order.
It was awesome that Luke wasn’t actually there and it was sort of a Force clone of himself instead. It goes to show how incredible Luke became with his force powers and explains how Luke even got to that planet in the first place.
But his death takes away from the grandiosity of his powers because while Luke seemed like he took care of First Order with such ease and demonstrated to Kylo that the master still had his place… in reality the act killed him.
Fine. Maybe that’s just my personal bitterness towards making such a grand act gently a farce.
But the part that I think is a little hilarious is that Poe assumed there had to be an escape route because Luke got into the supposed enclosed building. Poe didn’t know that Luke was an illusion of sort.
I understand the idea is that Luke served his purpose of being “hope” that the Resistance needed.
But given that he was an illusion that appeared out of nowhere, Poe was incredibly lucky not to find those mineral foxes just holed up somewhere deeper in the chasms of the cavern after deciding that following one of those things must lead to how Luke got in.
And what was Luke’s plan exactly? He’ll bide time as the Resistance figure some way to escape? Did Luke know there was even a way to escape?
I guess this is another moment where we’re supposed to fill in the blanks as the audience that ‘Luke knew there was a way through the Force.”
Another mixed-bag I had with the film is the further introduction of moral grays in the world Star Wars as we were introduced to in Rogue One.
We find out that vilified weapons dealers who’ve sold weapons to First Order are also the ones selling weapons to the Resistance.
The point of which loses a lot of his sharpness because not only did we just see Finn and Rose probably maim a few of those people and destroy their city (their whole mission feels like a joke at the end) but also because Star Wars makes you feel like the galaxy is a large place and yet not at the same time…
Basically, these weapons dealers are just business people who don’t want to get involved in these political feuds and just continuing on with their business.
Some sort of moral point feels a bit muddied up because it just seems like a statement of fact of sort that business people will do business and we don’t know if they have any reason to be involved in these political feuds other than the fact the film told us that they should care… even though with the introduction of these groups of people and planet… it doesn’t seem like they have to?
Because it sort of could imply that even Snoke had to rub shoulders with the rich and the business folks to get supplies for the First Order?
And it doesn’t help that the film establishes with such ferocity that Resistance is the good guys that it further muddies up what the moral point exactly is supposed to be.
Yes, I get that it supposed to introduce that the world is gray… but unlike Rogue One, it doesn’t even go anywhere with that in this film. The film continues from that little moral statement to demonstrating that First Order is bad, the guy who introduced the moral gray is a dick, and Resistance is struggling and must survive and is supported by all the protagonists.
I’ve alluded some pros above and I’ll leave those at that.
The action scenes are probably the best it’s ever been in a Star Wars film.
While I didn’t think the whole “arms trade” moral conundrum was done very well, it was still a nice development of Star Wars universe’s morality.
For the first time in Star Wars, the relationships that developed between characters felt complex and organic.
It felt human.
The relationship between Kylo, Rey, Finn, and Rose became surprisingly convoluted, intimate, and mature.
That little look Rey gives to Rose near the end of the film is so hauntingly teasing for what Rey’s feelings must be.
Oh, and the little boy watching the stars at the end, while felt a bit forced of why he’s even in the film in the first place, was a great touch. Not only for demonstrating the theme of the film, but also making the audience feel that Rey and Kylo are also just part of this cycle as Luke and Snoke was.
Anyways. My thought puke seems to be running dry and my eyelids are getting heavier and heavier. I think it’s time for me to take a nap before starting my day.
Oh, and the broken lightsaber was a nice touch as well.